An unmissable erotic farce from Finland’s best known comic novelist Arto Paasilinna.
Factory manager Rauno Rämekorpi is a charming man who knows how to get on the right side of pretty much anyone… especially when it comes to women.
Ten Shrews kicks off on Rämekorpi’s 60th birthday in Westend, an affluent area in southern Finland. After his party, Rämekorpi’s wife sends him to the tip to get rid of his birthday flowers because they’re causing her asthma to flare up. What should have been a straightforward journey turns out to be anything but. On a whim, Rämekorpi decides to carry on driving in order to deliver flowers to every woman he has ever known. Needless to say, this includes individuals from many walks of life.
There’s sixty-something Sonja from Helsinki; metal worker Eveliina from Rämekorpi, who is suffering from a coronary heart disease; and fine arts lecturer Tarja from Malmi, to name but a few. Each of the women Rämekorpi meets has their own life story, and Paasilinna ensures that every new character is as distinctive and interesting as the last.
Ten Shrews was adapted for film in Finland in 2002 (dir. Ere Kokkonen).
Arto Paasilinna (1942-2018) is the most renowned contemporary Finnish author, having published 35 novels and countless other works during his lifetime. In Finland, he has been one of the most popular authors since the 1970s. His most famous books include The Year of the Hare, The Howling Miller, A Charming Mass Suicide and The Forest of Hanged Foxes. Many of Paasilinna’s books have been turned into feature films and plays and adapted to comic books. His books have sold over 8 million copies worldwide, with publishers in several countries buying out more than 15 titles each. Paasilinna’s works have been translated into over 40 languages.
Slovenian (Mladinska Knjiga)
“His latest novel, Ten Shrews, tells of a Finn who receives so many flowers on his 60th birthday that he decides to distribute them among his 10 former lovers. It has sold 126,000 copies since publication last autumn. He was asked in a telephone interview how much of the book is autobiographical. ‘Some features,’ he allowed, ‘but not the 10 women’.” – The New York Times